Carolina Actors Studio Theatre (CAST) | |
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Formation | 1992 |
Type | Theatre Company |
Purpose/focus | a culturally diverse theatre experience |
Headquarters | 2424 North Davidson, Charlotte NC 28205 |
Region served | Charlotte, North Carolina |
Official languages | English |
Artistic Director | Michael R. Simmons |
Website | http://www.nccast.com/index.html |
Carolina Actors Studio Theatre (CAST) is an independent non-profit theatre company located at 2424 North Davidson Street in Charlotte, North Carolina. It was founded in 1992 by Charlotte acting instructor Ed Gilweit as an actor's teaching school. In 2000 Gilweit's company partnered with a video and stage production company run by Michael Simmons called Victory Pictures, Inc., and then with the fledgling theatre group Another Roadside Performance Company run by Robert Lee Simmons, Michael Simmons's son. Through this series of mergers, Gilweit and the Simmonses became the founders of the Carolina Actors Studio Theatre. Since Gilweit's death in 2002, Michael Simmons has been the Managing Artistic Director.
CAST is noted for large-scale installations and elaborate sets with the goal of complete immersion of the audience in the reality of each play. CAST always seeks to obliterate the emotional distance between the actor and spectator, a technique they call "experiential theatre". When attending a CAST performance, the experience of the spectator begins from the moment they enter—or even approach—the theater.[1][2]
In 2006, with the help of a board of directors recruited from Charlotte’s arts community, CAST received a 501(c)(3) designation. Since 2008, CAST has also received financial support from the Arts & Science Council.
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In 1998 there was a fledgling Charlotte theatre troupe named Another Roadside Performance Company, which performed at The Neighborhood Theatre on 36th Street in the NoDa neighborhood of Charlotte, and which was managed by Robert Lee Simmons. In the fall of 1998 he invited his father Michael Simmons to help produce Eric Bogosian’s play, subUrbia. Michael Simmons was the owner and director of a video and stage production company called Victory Pictures, Inc. The elder and younger Simmons began to work together on subUrbia.[3] Since the play takes place in a gas station, they built a gas station. There were real traffic signals hanging over the set (and the audience), there was a working refrigerator, there was a fully stocked grocery store that audience members could actually walk into and buy a loaf of bread. They got ten speakers and set up a surround-sound system.[4] This dedication to literally surrounding the audience with the atmosphere of the play become characteristic of the Simmons's work, and indeed, continues to the present day.
Down the block from the Neighborhood Theatre was a small teaching studio for Charlotte-area actors run by playwright, director, and acting instructor Ed Gilweit. It was called Carolina Actors Studio Theatre—or CAST for short. Gilweit bemoaned what he felt was the mediocre quality of acting in Charlotte and had started CAST in 1992 as a training ground for local actors to improve their skills and try new techniques.[5] In the fall of 1999, Robert Lee Simmons, who was one of Gilweit’s students, invited Gilweit to attend the production of the Viet Nam-era play Tracers, which starred Robert Lee and several other actors in Gilweit’s school. It was directed by his father Michael Simmons who was now operating the troupe under the name of Victory Pictures, Inc.,the film company which had now branched out into theatre.
Simmons again tried to achieve a "total immersion experience" using techniques developed during the production of subUrbia. The Tracers team put sandbags and a .50-caliber machine gun in the entry to the theater. The tickets were dog tags. They got members of the North Carolina National Guard to greet the patrons. They put regulation army trucks and a painted 1968 Volkswagen hippy van in the parking lot and then covered the two story theater building in camouflage netting. They even hired protestors to picket the theater, and placed "snipers" and machine guns on the rooftop. The entire cast and crew attended a real, live fire, three day survival experience in uniform run by a local group of Viet Nam Vets!
The experience of Tracers impressed Ed Gilweit who was also looking for ways to overcome the emotional distance between performance and spectator. He told the elder Simmons that they should begin working together.[6] Victory pictures, Inc. had the technical expertise that Gilweit was looking for. An informal alliance was formed and the two companies began to share resources.
Finally, in April of 2000, when Victory Pictures, Inc. left the Neighborhood Theatre, an official partnership was formed. Halfway through the production of the play Steambath, Simmons moved his operations to Gilweit's nearby theater at 3143 Cullman Avenue where he would remain for the next fourteen months.[5] Gilweit and Simmons were joined by, and briefly took the name of, yet another company called The Off-Tryon Theatre Company, and in June of 2000 produced their first show together,Asylum. It was the beginning of an ongoing exploration of what they called “experiential theatre”. Robert Lee Simmons had found the word “experientia” in the dictionary and simply invented the phrase. Eventually, even the critics would use the term "Experiential Theatre" when talking about CAST.
Gilweit and Simmons were united by a shared philosophy. Ed Gilweit believed that the purpose of theatre was to force people to think and potentially even to be changed.[7] Simmons wanted to surround the audience with the physical space of the play.[8] Gilweit felt that theatre had "lost its ability to affect social change".[9] Because of this outlook, CAST has always resisted the traditional theatre’s separation of performance and spectator.[10] Examples of this philosophy abound. For Steambath they piped steam into the theater, had a working shower onstage, and handed out towels.[11] There was a working Italian restaurant complete with the aroma of oregano for the play Italian-American Reconciliation.[12] For One Flew Over the Cuckoo’s Nest the company took pains to build an exact replica of the common room of the Western State Mental Institution where Ken Kesey had originally written the play.[13] The play Metamorphoses involved a functioning onstage swimming pool.[14] Not every show that CAST/Victory Pictures, Inc. did was a critical success, but the innovative quality of the company was recognized from the start. The Charlotte Observer wrote, "Expect the unexpected from CAST, an off-off-Broadway-style company that redesigns its entire theater for each show."[15]
The company in its several incarnations within Charlotte had a rather nomadic existence for the first five years of its existence. The first production (subUrbia) had been at The Neighborhood Theatre at 511 East 36th Street. The company then moved successively to Ed Gilweit's CAST theatre at 3143 Cullman Avenue, the Matthews Community Center at 100 McDowell Street in nearby Matthews, the Hart-Witzen Gallery at 611 West 5th Street, and finally achieved a measure of geographical stability in January of 2003 with a move to the CAST Theatre at 1118 Clement Ave where it would remain until 2010.
In the summer of 2010 CAST received a grant from the John S. and James L. Knight Foundation and the Arts & Science Council.[16][17][18] This allowed the company to move out of the cramped quarters they had occupied for eight years on Clement Avenue into a space at 2424 North Davidson in the NoDa neighborhood of Charlotte where it had all begun.[5][19] The new location at NoDa contains three theater spaces including a Thrust stage, and a Theatre in the round. For the first time in CAST history there is a spacious bar and lobby area, dressing rooms, storage rooms, a conference room, and a fully equipped scenery-building shop.[16] The new theatre was officially launched in August of 2011 with a production of August: Osage County, the Pulitzer Prize winning play by Tracy Letts. It was the regional premier of that play and was a great critical success.[20][21]
2011—2012 Season | |||
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Show | Author | Run Dates | Venue |
August: Osage County | Tracy Letts | Aug 25—Sep 24 | CAST Theatre at NoDa |
Dr. Jekyll and Mr. Hyde | Jeffrey Hatcher | Oct 13—Nov 05 | CAST Theatre at NoDa |
A Tuna Christmas | Jason Williams, Joe Sears, and Ed Howard | Nov 25—Dec 24 | CAST Theatre at NoDa |
Jack Goes Boating (scheduled) | Robert Glaudini | Jan 12—Feb 11 | CAST Theatre at NoDa |
Race (scheduled) | David Mamet | Feb 23—Mar 24 | CAST Theatre at NoDa |
Floyd Collins (scheduled) | book by Tina Landau music & lyrics by Adam Guettel additional lyrics by Landau |
Apr 12—May 12 | CAST Theatre at NoDa |
The Edge of our Bodies (scheduled) | Adam Rapp | May 24—June 23 | CAST Theatre at NoDa |
2010—2011 Season | |||
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Show | Author | Run Dates | Venue |
Steambath | Bruce Jay Friedman | Sep 16—Oct 16 | CAST Theatre at Clement Avenue |
The Elephant Man | Bernard Pomerance | Oct 28—Nov 21 | CAST Theatre at Clement Avenue |
The Day They Shot John Lennon | James McLure | Dec 08—Dec 18 | CAST Theatre at Clement Avenue |
When You Comin' Back, Red Ryder? | Mark Medoff | Jan 27—Feb 12 | CAST Theatre at Clement Avenue |
A Behanding in Spokane | Martin McDonagh | Mar 03—Apr 04 | CAST Theatre at Clement Avenue |
Agnes of God | John Pielmeier | Apr 21—May 21 | CAST Theatre at Clement Avenue |
Neon Psalms | Thomas Strelich | Jun 16—Jul 16 | CAST Theatre at NoDa |
2009—2010 Season | |||
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Show | Author | Run Dates | Venue |
Master Class | Terrence McNally | Sep 10—Oct 03 | CAST Theatre at Clement Avenue |
Marat/Sade | Peter Weiss | Oct 22—Nov 21 | CAST Theatre at Clement Avenue |
A Tuna Christmas | Jason Williams, Joe Sears, and Ed Howard | Dec 03—Dec 13 | McGlohon Theatre at Spirit Square |
Our Lady of 121st Street | Stephen Adly Guirgis | Jan 07—Feb 06 | CAST Theatre at Clement Avenue |
Evie’s Waltz | Carter Lewis | Mar 04—Apr 03 | CAST Theatre at Clement Avenue |
Welcome to the Monkey House | Kurt Vonnegut | Apr 29—May 29 | CAST Theatre at Clement Avenue |
Ice Fishing on Europa: A Festival of New Short Plays | various authors | Jun 03—Jun 12 | CAST Theatre at Clement Avenue |
Real Women Have Curves | Josefina Lopez | Jul 15—Jul 31 | CAST Theatre at Clement Avenue |
2008—2009 Season | |||
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Show | Author | Run Dates | Venue |
Foxfire | Susan Cooper and Hume Cronyn | Sep 11—Oct 04 | CAST Theatre at Clement Avenue |
Monster: The True Story of Frankenstein | Mary Shelley—adaptation by Neal Bell | Oct 30—Nov 15 | CAST Theatre at Clement Avenue |
Savage In Limbo | John Patrick Shanley | Dec 11—Dec 20 | CAST Theatre at Clement Avenue |
A Tuna Christmas | Jason Williams, Joe Sears, and Ed Howard | Dec 19—Dec 28 | McGlohon Theatre at Spirit Square |
Someone Who'll Watch Over Me | Frank McGuiness | Jan 08—Jan 24 | CAST Theatre at Clement Avenue |
Killer Joe | Tracy Letts | Feb 12—Mar 07 | CAST Theatre at Clement Avenue |
No Exit | Jean-Paul Sartre | Apr 02—Apr 25 | CAST Theatre at Clement Avenue |
Metamorphoses | Mary Zimmerman | May 28—Jun 27 | CAST Theatre at Clement Avenue |
2007—2008 Season | |||
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Show | Author | Run Dates | Venue |
Autobahn | Neil LaBute | Aug 09—Sep 09 | CAST Theatre at Clement Avenue |
Omnium Gatherum | Theresa Rebeck and Alexandra Gersten-Vassilaros |
Sep 13—Sep 24 | Duke Energy Theatre at Spirit Square—restaged |
Dracula | Bram Stoker—adaptation by Steven Dietz | Oct 10—Nov 03 | CAST Theatre at Clement Avenue |
A Tuna Christmas | Jason Williams, Joe Sears, and Ed Howard | Nov 28—Dec 09 | McGlohon Theatre at Spirit Square |
Edmond | David Mamet | Jan 24—Feb 23 | CAST Theatre at Clement Avenue |
Dark Play | Carlos Murillo | Mar 27—Apr 26 | CAST Theatre at Clement Avenue |
Limbo | Glenn Hutchinson | Jul 10—Jul 26 | CAST Theatre at Clement Avenue |
2006—2007 Season | |||
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Show | Author | Run Dates | Venue |
Neon Mirage | Liz Duffy Adams | Sep 21—Oct 21 | CAST Theatre at Clement Avenue |
A Tuna Christmas | Jason Williams, Joe Sears, and Ed Howard | Dec 21—Dec 31 | McGlohon Theatre at Spirit Square |
Omnium Gatherum | Theresa Rebeck and Alexandra Gersten-Vassilaros |
Jan 11—Feb 03 | CAST Theatre at Clement Avenue |
The Pavilion | Craig Wright | Feb 22—Mar 09 | CAST Theatre at Clement Avenue |
Some Girls | Neil LaBute | Apr 12—May 12 | CAST Theatre at Clement Avenue |
Topdog/Underdog | Susan-Lori Parks | May 31—Jun 16 | CAST Theatre at Clement Avenue |
American Buffalo | David Mamet | Jun 28—Jul 28 | CAST Theatre at Clement Avenue |
2005—2006 Season | |||
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Show | Author | Run Dates | Company & Venue |
A Few Good Men | Aaron Sorkin | Sep 15—Oct 08 | CAST/Generations Theatre Group co-production CAST Theatre at Clement Avenue |
Orange Lemon Egg Canary | Rinne Groff | Oct 20—Nov 12 | CAST Theatre at Clement Avenue |
Mrs. Bob Cratchit's Wild Christmas Binge | Christopher Durang | Nov 24—Dec 25 | CAST Theatre at Clement Avenue |
The Late Henry Moss | Sam Shepard | Jan 12—Feb 04 | CAST Theatre at Clement Avenue |
On the Verge | Eric Overmyer | Feb 16—Mar 11 | Generations Theatre Group Central Avenue Playhouse on Clement Ave |
Act Without Words CAMERA Rembrandt’s Gift |
by Samuel Beckett by Jon Jory by Tina Howe |
Jun 08—Jul 01 | CAST Theatre at Clement Avenue |
2004—2005 Season | |||
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Show | Author | Run Dates | Company & Venue |
The Faculty Room | Bridget Carpenter | Sep 08—Sep 28 | CAST Theatre at Clement Avenue |
A Tree With Arms G.I. Joe |
by James Saba by Ben Werling |
Oct 06—Oct 23 | Allyn Points in association with CAST CAST Theatre at Clement Avenue |
Sans-Culottes in the Promised Land | Kirsten Greenidge | Feb 09—Feb 26 | CAST Theatre at Clement Avenue |
I'm Not Rappaport | Herb Gardner | Apr 14—May 01 | Generations Theatre Group CAST Theatre at Clement Avenue |
Orphans | Lyle Kessler | Jun 16—Jul 02 | CAST Theatre at Clement Avenue |
Laughing Wild | Christopher Durang | Jul 14—Jul 24 | Duke Energy Theatre at Spirit Square |
2003—2004 Season | |||
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Show | Author | Run Dates | Company & Venue |
Kiss of the Spider Woman | John Kander and Fred Ebb | Aug 14—Aug 23 | CAST/Victory Pictures, Inc. CAST Theatre at Clement Avenue |
Finer Noble Gases | Adam Rapp | Sep 10—Sep 27 | Central Avenue Playhouse on Clement Ave |
Dear George: Letters to the President | Marcus Woollen | Oct 28 | Central Avenue Playhouse on Clement Ave |
Glengarry Glen Ross | David Mamet | Jan 22—Feb 05 | Generations Theatre Group Central Avenue Playhouse on Clement Ave |
Laughing Wild | Christopher Durang | Feb 18—Mar 06 | Central Avenue Playhouse on Clement Ave |
White Man Dancing | Stephen Metcalfe | May 13—May 29 | Generations Theatre Group Central Avenue Playhouse on Clement Ave |
Lenny’s Back | Sam Bobrick and Julie Stein | Jun 16—Jul 03 | Central Avenue Playhouse on Clement Ave |
2002—2003 Season | |||
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Show | Author | Run Dates | Company & Venue |
Snapshot | various authors | Sep 26—Oct 05 | Victory Pictures, Inc. Hart Witzen Gallery |
Closet Land Twilight Zone |
by Radha Bharadwaj by Rod Serling |
Oct 24—Nov 09 | Victory Pictures, Inc. Hart Witzen Gallery |
Speed-the-Plow | David Mamet | January | Inner Voices/Victory Pictures, Inc. co-production Central Avenue Playhouse on Clement Ave |
The Colored Museum | George C. Wolfe | Nov 12—Nov 23 | CAST/Victory Pictures, Inc. Central Avenue Playhouse on Clement Ave |
Some Things You Need to Know Before the World Ends: A Final Evening with the Illuminati | Larry Larson and Levi Lee | May 08—May 24 | CAST/Victory Pictures, Inc. Central Avenue Playhouse on Clement Ave |
2001—2002 Season | |||
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Show | Author | Run Dates | Company & Venue |
One Flew Over the Cuckoo's Nest | Dale Wasserman based on the novel by Ken Kesey |
Sep 06—Sep 30 | Victory Pictures, Inc. Matthews Community Center |
Talking With... | Jane Martin | Nov 01—Nov 17 | Victory Pictures, Inc. Matthews Community Center |
The Good Doctor | Neil Simon | Jan 10—Jan 27 | Victory Pictures, Inc. Matthews Community Center |
Terra Nova | Ted Tally | Mar 21—Apr 07 | Victory Pictures, Inc. Matthews Community Center |
One Flew Over the Cuckoo’s Nest | Dale Wasserman based on the novel by Ken Kesey |
May 16—Jun 02 | Victory Pictures, Inc. McCelvey Center in York, South Carolina |
2000—2001 Season | |||
---|---|---|---|
Show | Author | Run Dates | Company & Venue |
Italian American Reconciliation | John Patrick Shanley | Nov 02—Nov 19 | Off-Tryon Theatre Company CAST Theatre at Cullman Avenue |
The Good Doctor | Neil Simon | Dec 07—Dec 17 | Off-Tryon Theatre Company CAST Theatre at Cullman Avenue |
The Good Doctor | INCONSISTENT DATA INCONSISTENT DATA |
Nov 30—Dec 10 | Off-Tryon Theatre Company Theatre Charlotte |
1999—2000 Season | |||
---|---|---|---|
Show | Author | Run Dates | Company & Venue |
Tracers | various authors organized by John DiFusco |
Nov 03—Nov 20 | Victory Pictures, Inc. The Neighborhood Theatre |
Steambath | Bruce Jay Friedman | Apr 19—Apr 30 | Victory Pictures, Inc. The Neighborhood Theatre |
Steambath | Bruce Jay Friedman | May 04—May 07 | Victory Pictures, Inc. CAST Theatre at Cullman Avenue |
Asylum | Arthur Kopit | Jun 1—Jun 11 | Off-Tryon Theatre Company CAST Theatre at Cullman Avenue |
Oleanna | David Mamet | Jul 20—Aug 6 | Carolina actors studio theatre CAST Theatre at Cullman Avenue |
1998—1999 | |||
---|---|---|---|
Show | Author | Run Dates | Company & Venue |
subUrbia | Eric Bogosian | January 1998 |
Another Roadside Performance Company The Neighborhood Theatre |
The Well of the Saints | John M. Synge | May 5—May 22 1999 |
Victory Pictures, Inc. The Neighborhood Theatre |
Creative Loafing is a publisher of newsweeklies and their associated websites focusing on local affairs, including arts and entertainment. CAST has twice won Creative Loafing’s Theatre of the Year Award.[22][23] CAST has garnered many other awards from Creative Loafing including Best Drama and Best Director[24] in addition to many technical awards.[25] A complete list of Creative Loafing awards which CAST has won over the years is shown below.
The Metrolina Theatre Association (MTA) is a Charlotte organization which gives awards each year to support and advocate for local theatre, and these awards are the major source of public recognition for theatres, shows, and individuals. In 2009 Cast won the MTA award for Theatre Company of the Year and CAST's artistic director Michael R. Simmons won the award for Theatre Person of the Year. In 2011 CAST won the MTA awards for best show, actor, actress, and director.[34] A complete list is shown below.